STEP 5 Think further and prepare for your test: vampiric art
Read the text and decide if the statements are true or false. Then, use the prompts in brackets to write some extra reflections in your exercise book. You can use the final text as revision material for your test.
The Oval Portrait is a story in which the act of creating art seems to consume life itself. The beauty and vitality of the painter's wife are literally transferred onto the canvas as he applies colours and brushstrokes, so that the final work appears startlingly alive to the narrator. (Refer to STEP 2 and use the description of the portrait to explain why it seems so strangely lifelike.) This can be interpreted as a form of 'vampiric art': the artist feeds on the living energy of his subject to create something immortal. (Refer to STEP 4 and use the relevant themes to draw a connection to vampiric art.) However, the story's climax is deliberately ambiguous. (Refer to STEP 3 and think about how the embedded narrative mode further influences the ambiguity of the story.) When the painter cries out that the painting is 'Life itself,' it is unclear whether he refers to the painting's realism, to his own creative power, or to the actual life of his wife, which has been drained in the process. While he leaves these questions unresolved, Poe emphasises the tension between life and art, and urges readers to reflect on the potentially destructive power of artistic obsession (Refer to section 6.23 in your textbook, particularly to the box 'Settings and characters,' and discuss how the painter can well represent an example of Poe's memorable characters.)
A: When the passage describes art as 'vampiric' it means that the painter's creative power is parasitic on his wife.
B: The narrator is frightened precisely by the painting's lifelike quality, as it seems to contain the life of the painter's wife.
C: The line 'Life itself' refers to the lifelikeness of the portraitFalse
D: The story is deliberately open-ended.
E: The passage mainly warns against the dangers of artistic obsession rather than artistic pursuit as a whole.